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2012 AWARDS AT CWFF

Films from Azerbaijan, Serbia, Belgium, France, Germany, Russia, Mexico, Slovakia and South Africa were among the winners of the 5th edition of the Cape Winelands Film Festival (CWFF), which had its last screenings on 24 March 2012 in Stellenbosch and Cape Town. The programme included award winning features, documentaries and shorts from more than 48 countries.

Ilgar Najaf from Azerbaijan won the Grand Prix Award for Buta, a story about a lonely 7 year old boy (named Buta), who lives in a mountain village with his grandmother. He is befriended by an old man, a liquid soap merchant who once loved (and lost) Buta’s grandmother. The old man’s friendship and wise advice helps Buta to overcome his difficulties in life. Buta’s grandmother, in the meantime, is weaving a special carpet in memory of Buta’s mother. The carpet features a ‘buta’ pattern, which represents love. The boy is inspired by grandmother’s work, and decides to make his own “buta” made of rocks and stones, high on the top of the mountain…

The Award for Best Director went to Serbian director Miloš Radivojević. How I Was Stolen by the Germans tells the story of director and writer Radivojević’s childhood and how his life was influenced by the people he grew up with. As a child he felt neglected by his communist family and was taken care of by a German officer, who occupied his home during the Second World War and was the only person who offered him any love and warmth during his child-hood.

The First Feature Award went to Flemish film-maker Bavo Defurne for his sensitive film about first love, North Sea Texas.

A Special Mention Award from the feature jury was made for The Giants (Belgium).

Full list of Feature Film Awards

Grand Prix Award: Buta (Iilgar Najaf )

Special Mention: The Giants (Bouli Lanners)

Best Director: Milos Radivojevic (How I was Stolen by the Germans)

Best New Director: Bavo Defurne (North Sea Texas)

Best Actor: Zacharie Chasseriaud (The Giants)

Best Actress: Zoe Heran (Tomboy)

Best Script: Ruggero  Dipaola  (Apartment in Athens)

Best Cinematography: Gerardo Barosso (The Last Christeros)

Best Editing: Maros Slapeta (Visible World)

Best South African Feature Film : Otelo Burning ( Sara Blecher)

Special Mention Award : Lucky (Avie Luthra)

 



 

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  • Cape Winelands Film Festival Awards

    2011 Awards

    CWFF AWARDS

    2011

    FEATURE FILMS

    • Grand Prix Award : Princess - Dir. Arto Halonen (Finland)
    • Best Director Award : Marko Raat - Snow Queen ( Estonia)
    • Special Mention : Do Elephants Pray ? - Dir. Paul Hills (UK)

    DOCUMENTARIES

    • Best Documentary Award : The World according to Ion B - Dir. Alexander Nanau (Romani
    • Best South African Documentary Award : Afrikaaps - Dir. Dylan Valley (South Africa)
    • Special Mention : There Once Was an Island - Dir Briar March (New Zealand)

    SHORT FILM

    • Best Short Film Award : Flock (Artalde) - Dir. Asier Altuna (Spain)
    • Best South African Short Film : The Bullet - Dir. Michael Klein (South Africa)
    • Special Mention : Through Glass - Dir. Igor Chojna (Poland)

    2010

    • Grand Prix Jury Award: Eyes Wide Open - Director: Haim Tabakman - Israel
    • Best South African Feature Film: Gugu and Andile - Director: Minky Schlesinger RSA
    • Best Short Film Award: Hammerhead - Director : Sam Donovan - UK
    • Best South African Short Film: Hidden Places - Director: Jamie Beron RSA
    • IFG Inspiration Award ( First time feature film directors):  The Other Bank (Gagma Napiri) - Director: George Ovashili - Georgia

    2009

    • Best Feature Film Award: The First Day of Winter - Director Mirko Locatelli - Italy
    • Best Documentary Award: Accidental Son - Director: Robert Zuber - Croatia
    • Best Short Film Award: The Toes - Director Laurent Denis - Belgium
    • Audience Award: My First War - Director: Yariv Mozer - Israel
    • M-Net Lifetime Achievement Award: Idrissa Quedraogo - Burkina Faso

    2008

    • Best Feature Film Award: Mutum - Director : Sandra Kogut - Brazil
    • Best Documentary Award: Taxi to the Dark Side - Director: Alex Gibney - RSA/USA
    • Best Short Film Award: Overleven - Director: Heinrich Dahms - Netherlands
    • Audience Award: Roos vir Mari - Director: Louis du Toit - RSA
    • M-Net Lifetime Achievement Award: Ousmane Sembene - Senegal
  • Masterclasses at 2012 Cape Winelands

    The Cape Winelands will again at the 2012 edition of this festival present a series of Masterclasses and workshops.  These events are sponsored by the City of Cape Town and Wesgro.

     

  • Workshop : 15 & 16 March @ CWFF

    Last 9 seats available at the Cape Winelands Film Festival Workshop !

    The GOOD, the BAD and the UGLY of independent first time filmmaking in South Africa - how to & not to, take the world by storm while you at it.

    15 & 16 March 09.00 – 17.00
    PROTEA HOTEL FIRE AND ICE CAPE TOWN
    New Church & Victoria Street, Tamboerskloof

    Please email info@towerkopcreations.co.za if you would like to reserve your spot. Please include a brief motivation as to why you would like to attend this workshop and include your contact details.

  • Uncle Boonmee: Interview with Apichatpong Weerasethakul

    Winner of the Palme d’Or at this year’s Cannes festival, Apichatpong Weerasethakul’s new film has the magic of a fairy tale and the simplicity of a folk tale. Wonderfully immersive, slow and dreamy, Uncle Boonmee Who Can Recall His Past Lives centres loosely around a sick man in rural Thailand and his relatives, alive and dead.

  • UNCLE BOONMEE : Interview with Apichatpong Weerasethakul

    Winner of the Palme d’Or at this year’s Cannes festival, Apichatpong Weerasethakul’s new film has the magic of a fairy tale and the simplicity of a folk tale. Wonderfully immersive, slow and dreamy, Uncle Boonmee Who Can Recall His Past Lives centres loosely around a sick man in rural Thailand and his relatives, alive and dead.

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Featured Trailer

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HEADSHOT is based on a novel called “Rain Falling Up the Sky” by a well-known Thai writer, Win Lyovarin. Initially, the author did not intend to write it as a novel, but rather as a script for an indie movie forming part of a film noir project. For some reason, it did not materialise, so the writer decided to transform the script into a novel instead; or as he called it, a film noir novel.

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